“As a 65 year old lawyer who has been in jazz and blues clubs from Greenwich Village to Yonge Street to Bourbon Street to San Fran for over 45 years, I was just blown away by what I have just seen and heard in 30 minutes tonight! Wow! You've been to the Crossroads and you got all of the devil's tunes! And then your own words, personality and Foy's foil made them all better! I turned to my partner after 15 minutes and said that I hadn't heard such down home raw talent since my previous reincarnation in the 1930's!”
--Neil Robertson, a fan.
Little Miss Higgins was born in Brooks, Alberta,
and raised in Independence, Kansas.
Music entered her life early.
“When I was about four my dad bought this old piano at a local bar,”
she recalls. “It was a mini grand piano. He brought it home and
told me it was mine. I carved my name in the side and started taking piano
lessons.”
Growing up playing piano, Little Miss Higgins (aka Jolene Higgins) now
uses guitar and voice as her main instruments as well as her theatre background
to bring a “refreshing sound and story to the stage.”
Her stage name, Little Miss Higgins suits the undeniably inflammatory
mix of her blues and country music repertoire but the moniker was largely
accidental. “When I moved to Saskatchewan I made friends with this
crazy Greek guy,” she recalls “He started calling me that,
and it just stuck. I started using it on posters around 2002.”
Over the past five years, Little Miss Higgins—described as a “pocket-sized
powerhouse” by Richard Knechtel in the Owen Sound Sun Times--has
built a strong national reputation throughout Canada, appearing in clubs
and on festival stages in Edmonton, Winnipeg, Montreal, Owen Sound, and
Canso, Nova Scotia performing traditional songs but also her own original
music that picks up on blues styles of the past, but remains very much
her own expression.
As a songwriter, she has been influenced by a range of artists from Memphis
Minnie, Billy Holiday, Big Bill Broonzy to Joni Mitchell.
Then there’s her classical music background. She spent two post-secondary
school years studying theatre, and a third studying music and drama at
the Canadian College of Performing Arts on Vancouver Island.
Her studio albums “Cobbler Shop Sessions” (2006) and “Junction
City” (2007) superbly showcase Little Miss Higgins as a highly-developed
songwriter as well as a remarkable country blues performer in a style
gracefully highlighted by her partner, guitarist Foy Taylor.
The release of “Junction City” resulted in a handful of honours
for Little Miss Higgins. She kicked off 2008 at the 11th annual Maple
Blues Awards in Toronto. Nominated in the New Artist of the Year category,
she performed at the awards gala in Toronto.
A few months later, Little Miss Higgins won the Favourite Blues Artist/Group
or Duo of the Year category of the 8th Annual Indies Awards held in Toronto
during Canadian Music Week.
As well, “Junction City” won as Outstanding Blues Recording
at Western Canadian Music Awards, and was nominated in the Blues Album
of the Year category at the 2008 Juno Awards..
To her fan’s delight, there was the 2009 release “Little Miss
Higgins Live: Two Nights In March.” The album was recorded at Amigo’s
Cantina in Saskatoon, and Engineered Air Theatre in Calgary.
The album features such favourite performance fare as “The Dirty
Ol Tractor Song,” “Velvet Barley Bed,” “In The
Middle Of Nowhere” and “I’m Gonna Bake My Biscuits.”
As well, there are several new songs including “Snowin’ Today:
A Lament For Louis Riel.”
Between touring, Little Miss Higgins and Foy Taylor live a fairly simple
life in the small but vibrant town of Nokomis, Saskatchewan. “We
like to make things from scratch, and we have a big garden,” she
says. “We don’t have a horse and cart, but maybe we’ll
get there someday.”
"Little Miss Higgins makes good use of the inspiration she gathers
from the world around her, with many songs coming from her home community
of Nokomis, formerly known as Junction City for its crossing railway lines,
equidistant between Saskatoon and Regina."
--Stephen Cooke, Chronicle Herald, Halifax
"Saskatchewan's economy is boomin' and so is the province's music
scene. Leading the way is blues/folk/roots singer Little Miss Higgins,
who sings with the soul of a flapper."
--Sandra Sperounes, Edmonton Journal
"Unfortunately, I found myself prosecuted by the court of Murphy's
Law which decreed that I not be in my seat but at the bar when Little
Miss Higgins finally took to the stage. She's got a twenties or thirties
sound thing goin' on and a voice that's smooth like a prohibition fog
rolling in on a lake of honey surrounded by cotton ball trees... with
Mint Juleps scattered around the beach, of course."
--Super Turbo Bunny